Blissfully astray
It’s mad! It’s gay! It’s Michael Fabiano singing “Come un bel dì di maggio” from Andrea Chénier!
It’s mad! It’s gay! It’s Michael Fabiano singing “Come un bel dì di maggio” from Andrea Chénier!
Ahead of tomorrow’s Live in HD, Michael Steinberg talks Leonore, Salome, and the “endemic misogyny” of Claus Guth‘s new production
An impressive cast blurs binaries as John Adams‘s ambitious Antony and Cleopatra arrives at the Met
Anna Paquin cries at the opera to the Barcarolle from Tales of Hoffmann (Renée Fleming and Susan Graham)
One of the most striking uses of opera in television appears in HBO’s The Leftovers.
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I’m cheating by choosing TV over a movie, but I can’t not pick the Hamlet episode of Gilligan’s Island.
Chris’s Cache looks forward to next month’s Boston Early Music Festival with a comprehensive introduction to German Baroque featuring Sandrine Piau, Jennifer Larmore, and Joan Sutherland
Christopher Corwin on three stylish sopranos delighting audiences live in New York and on recording in a trio of new releases.
It’s a total fraud, but I have always loved Maytime‘s “Csaritza” a fake “MGM” opera based on themes from Tchaikovsky‘s 5th symphony.
Hunding, of Die Walküre notoriety, is the most misunderstood character in opera.
A brutal, chilling, gory final scene leading to a triumphant and goose bumps inducing final moments.
And a more recent live recording, this time from London featuring Sondra Radvanovsky and SeokJong Baek
Zubin Mehta conducts a classic broadcast from 1966 featuring Birgit Nilsson, Franco Corelli, Mirella Freni, and Bonaldo Giaiotti
“Ebben, ne andro lontana” sung by Wihelmenia Wiggins Fernandez in Diva is a gorgeous woman in a beautiful dress singing a wonderful area in a legitimate concert venue. Great singing in my favorite French film.
parterre box presents for your comparing pleasure excerpts of three Italian sopranos trying their (poker) hands at Puccini’s Minnie: Carmen Giannatasio, Chiara Isotton, and Anna Pirozzi
Watching Fitzcarraldo at a very young age obviously turned me into a baby opera queen.
Bass-baritone Nicholas Brownlee is the winner of the $50,000 2025 Richard Tucker Award
An uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met
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