I’m never gonna dance again
A starry cast is hampered by Christof Loy‘s dour production of Rusalka in Barcelona
A starry cast is hampered by Christof Loy‘s dour production of Rusalka in Barcelona
Bryn Terfel‘s presence on an unfortunate broadcast of Tosca from Tanglewood last week prompts us at the Box to share clips of his work over the past few weeks
La sonnambula at Teatro Nuovo overcomes uneven casting to highlight the many charms of Bellini’s bel canto masterpiece
Marc Minkowski conducts a performance recorded last week at the Festival d’Aix-en-Provence
Suddenly Mozart’s rare early opera Mitridate, re di Ponto has become popular. Anticipating a Salzburg Festival performance on 4 August, Chris’s Cache offers two recent broadcasts, one from Boston, the other from Montpellier.
Yes, Ermonela Jaho is a compelling swooner. But is she a great singer? I have yet to be convinced!
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Performances of Pittori fiamminghi and Madama Butterfly in picturesque Castell’Arquato were a fine way to honor Luigi Illica, the city’s native son
A new opera by Sivan Eldar and Ganavya Doraiswami from the Festival d’Aix-en-Provence
Bryn Terfel‘s presence on an unfortunate broadcast of Tosca from Tanglewood last week prompts us at the Box to share clips of his work over the past few weeks
Suddenly Mozart’s rare early opera Mitridate, re di Ponto has become popular. Anticipating a Salzburg Festival performance on 4 August, Chris’s Cache offers two recent broadcasts, one from Boston, the other from Montpellier.
La sonnambula at Teatro Nuovo overcomes uneven casting to highlight the many charms of Bellini’s bel canto masterpiece
Performances of Pittori fiamminghi and Madama Butterfly in picturesque Castell’Arquato were a fine way to honor Luigi Illica, the city’s native son
Music for New Bodies at Lincoln Center’s Running AMOC* Festival proves Matthew Aucoin really is everything he’s made out to be
With the 2025 Bayreuth Festival beginning next week, Grand Tier Grab Bag spotlights the Eva of its opening Meistersinger: Christina Nilsson
Parterre Box over the last few years has become the MOST USELESS website.
Music for New Bodies at Lincoln Center’s Running AMOC* Festival proves Matthew Aucoin really is everything he’s made out to be
Jake Heggie writes operas like a Restoration Hardware couch—soft, expensive, and allergic to mess.
Christian Thielemann conducts a live broadcast from Berlin
The musical virtues of Anna Moffo have heretofore eluded me.
By giving Orfeo ed Euridice a happy ending, Gluck ruined a wonderful score.
Yes, Ermonela Jaho is a compelling swooner. But is she a great singer? I have yet to be convinced!
Parterre Box over the last few years has become the MOST USELESS website.
Jake Heggie writes operas like a Restoration Hardware couch—soft, expensive, and allergic to mess.
The musical virtues of Anna Moffo have heretofore eluded me.
It’s like making love with someone whose rap never ceases—and includes “helpful suggestions” about how you can be improving your game.
With the 2025 Bayreuth Festival beginning next week, Grand Tier Grab Bag spotlights the Eva of its opening Meistersinger: Christina Nilsson
Jacquelyn Stucker talks to Kevin Ng about repertoire, tearing down the Fach system, and what it takes to make music from baroque to George Benjamin her own.
It’s like making love with someone whose rap never ceases—and includes “helpful suggestions” about how you can be improving your game.
Chris’s Cache would argue that Prokofiev’s Betrothal in a Monastery is a much more enjoyable alternative to the pandemic-canceled Barrie Kosky The Fiery Angel
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