(A)nything (B)ut (C)armen
Calling from 2066, Brendan Latimer argues that the best way to save opera might be to just blow up the standard repertoire altogether.
The kids are alright
Though, really, the young artists of the Merola Opera Program were more than alright in their annual showcase.
Troy and Troy again
For those with Odyssey fever, this week’s Grand Tier Grab Bag item features a performance of another ancient epic: Les Troyens with Russell Thomas.
Some filth or dementia from Remko Jas
To make a success of the Empress in Frau ohne Schatten, it is not enough to be a fine singer and a great actress.
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Love it or hate it, you can’t deny it’s iconic!
In Bayreuth, a confident Magnus Vigilius and luminous Jennifer Holloway attempt to elevate Wagner’s populist Rienzi.
I’ve only heard one performance that could be described as ‘filth.’
American Bach led a stirring rendition of Handel’s Ode for St. Cecilia’s Day, full of big questions and even bigger musical highlights.
I could not wrap what’s left of my mind around the concept of “filth and dementia” in opera
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Troy and Troy again
Troy and Troy again
For those with Odyssey fever, this week’s Grand Tier Grab Bag item features a performance of another ancient epic: Les Troyens with Russell Thomas.
For those with Odyssey fever, this week’s Grand Tier Grab Bag item features a performance of another ancient epic: Les Troyens with Russell Thomas.
Grand Tier Grab Bag
Bass desires
Bass desires
Alexander Köpeczi, currently plying leading roles in two operas in Santa Fe and, rumor has it, the life of one prominent soprano, is the object of this week’s Grand Tier Grab Bag.
Alexander Köpeczi, currently plying leading roles in two operas in Santa Fe and, rumor has it, the life of one prominent soprano, is the object of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Bel canto snarl for bel canto snarl
Bel canto snarl for bel canto snarl
Rising stars Chelsea Lehnea and Ricardo José Rivera are the protagonists of this week’s Grand Tier Grab Bag.
Rising stars Chelsea Lehnea and Ricardo José Rivera are the protagonists of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Wie tönender Schall schlug’s an mein Ohr
Wie tönender Schall schlug’s an mein Ohr
It’s a busy summer for Vida Miknevičiūtė and Eric Cutler, the subjects of this week’s Grand Tier Grab Bag.
It’s a busy summer for Vida Miknevičiūtė and Eric Cutler, the subjects of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Noch mein’ ich mir selber so sicher zu sein
Noch mein’ ich mir selber so sicher zu sein
Elina Garanča’s aborted first Ariadne may have been the headline item at the Salzburg Festival next month, but this week Parterre Box features the Zerbinetta, Ziyi Dai.
Elina Garanča’s aborted first Ariadne may have been the headline item at the Salzburg Festival next month, but this week Parterre Box features the Zerbinetta, Ziyi Dai.
Grand Tier Grab Bag
Lady in waiting
Lady in waiting
One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.
One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.
Philippe Sly is sublime as Messiaen’s Saint François D’Assise in Salzburg, though Romeo Castellucci‘s production could brush up on its catechism.
Renée as Thaïs finding salvation while trudging through the parched Egyptian desert in off-the-shoulder La Croix atelier.
San Francisco goes baroque with performances of Handel‘s Alcina, Tolomeo, and Rinaldo.
At Wolf Trap Opera, a season-closing Tosca is weighed down by an incoherent setting during Italy’s Anni di piombo.
What to our wondering ears should appear, but a 40-track Jonas Kaufmann Christmas album?
Speaking of dementia in opera, all I can think of is the extraordinary reimagined production of Béla Bartók’s chamber opera Bluebeard’s Castle that I saw at Atlanta Opera in October 2022.
Talk of the Town
The Talk of the Town
Some filth or dementia from Remko Jas
Some filth or dementia from Remko Jas
To make a success of the Empress in Frau ohne Schatten, it is not enough to be a fine singer and a great actress.
To make a success of the Empress in Frau ohne Schatten, it is not enough to be a fine singer and a great actress.
The Talk of the Town
Some filth or dementia from Ryan Ellermann
Some filth or dementia from Ryan Ellermann
Love it or hate it, you can’t deny it’s iconic!
Love it or hate it, you can’t deny it’s iconic!
The Talk of the Town
Some filth or dementia from Damian
Some filth or dementia from Damian
I’ve only heard one performance that could be described as ‘filth.’
I’ve only heard one performance that could be described as ‘filth.’
The Talk of the Town
Some filth or dementia from TildyDiva
Some filth or dementia from TildyDiva
I could not wrap what’s left of my mind around the concept of “filth and dementia” in opera
I could not wrap what’s left of my mind around the concept of “filth and dementia” in opera
The Talk of the Town
Some filth or dementia from Belle Raggio
Some filth or dementia from Belle Raggio
Renée as Thaïs finding salvation while trudging through the parched Egyptian desert in off-the-shoulder La Croix atelier.
Renée as Thaïs finding salvation while trudging through the parched Egyptian desert in off-the-shoulder La Croix atelier.
The Talk of the Town
Some filth or dementia from HBadger
Some filth or dementia from HBadger
What to our wondering ears should appear, but a 40-track Jonas Kaufmann Christmas album?
What to our wondering ears should appear, but a 40-track Jonas Kaufmann Christmas album?
Aryeh Nussbaum Cohen shows that he’s at the top of a crowded pack of countertenors in two recent New York performances with Philharmonia Baroque.
Alexander Köpeczi, currently plying leading roles in two operas in Santa Fe and, rumor has it, the life of one prominent soprano, is the object of this week’s Grand Tier Grab Bag.
Ilana Walder-Biesanz reports from The Santa Fe Opera, where Tobias Picker‘s latest opera falls short, a new Rodelinda scintillates, and sumptuous singing abounds across the entire repertoire.
That this performance of Verdi’s Lady Macbeth was recorded and preserved for posterity is beyond the pale.
Richard Lynn would like to bring some operatic podcast episodes of The Sewers of Paris and Die Primadonnen to your attention.
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