Wie tönender Schall schlug’s an mein Ohr
It’s a busy summer for Vida Miknevičiūtė and Eric Cutler, the subjects of this week’s Grand Tier Grab Bag.
It’s a busy summer for Vida Miknevičiūtė and Eric Cutler, the subjects of this week’s Grand Tier Grab Bag.
Yuval Sharon‘s production of The Excursions of Mr. Brouček shoots for the moon — and lands somewhat limply on Lake Constance.
Wolf Trap Opera presented a lovely Eugene Onegin with particularly noteworthy performances by Magdalena Kuźma and Daniel O’Hearn.
Lorenzo Molajoli is a mysterious figure.
Jake Heggie and Gene Scheer‘s bubbly The Judgement of Paris brings a distinctly Californian terroir to operatic comedy.
Tobias Picker and Aryeh Lev Stollman‘s Lili Elbe receives its first recording ahead of its stateside transition.
It’s a busy summer for Vida Miknevičiūtė and Eric Cutler, the subjects of this week’s Grand Tier Grab Bag.
Elina Garanča’s aborted first Ariadne may have been the headline item at the Salzburg Festival next month, but this week Parterre Box features the Zerbinetta, Ziyi Dai.
One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.
Ambur Braid‘s biggest dramatic soprano assignment yet — the Dyer’s Wife in Aix — is occasion for Parterre Box to feature her in some of her old repertoire.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
Parterre Box shines a light on Liparit Avetisyan, who made his Met debut as Alfredo earlier this spring.
Based on exactly one recording, Maurice Abravanel is my favorite opera conductor.
Les Arts Florissants (lightly) stages two Charpentier rarities as a summer wedding gone wrong.
Cher public is exhorted to join the Geplauder when the annual week of broadcasts from Bayreuth begins on Saturday
I trust, fellow Parterre readers, that we can all agree that Riccardo Muti is a great opera conductor.
While it may not be top-tier Rossini, Teatro Nuovo’s mounting of Il turco in Italia is still good summer fun.
Fifty some years ago I stumbled on to John Barbirolli‘s recording of matchless Elgar & V-Williams music for strings and discovered my go-to conductor for life.
It is no wonder Bernard Herrmann relishes the wistful lyricism in Barber’s masterwork, as Herrmann’s score for Vertigo is among the most beautiful and haunting of all film scores ever composed.
Lorenzo Molajoli is a mysterious figure.
Based on exactly one recording, Maurice Abravanel is my favorite opera conductor.
I trust, fellow Parterre readers, that we can all agree that Riccardo Muti is a great opera conductor.
Fifty some years ago I stumbled on to John Barbirolli‘s recording of matchless Elgar & V-Williams music for strings and discovered my go-to conductor for life.
Antonio Pappano‘s versatility in both German and Italian repertoire and beyond is both rare and impressive.
Elina Garanča’s aborted first Ariadne may have been the headline item at the Salzburg Festival next month, but this week Parterre Box features the Zerbinetta, Ziyi Dai.
Teatro Nuovo pays tribute to a historic New York production of Don Giovanni with a talented ensemble.
Lucia di Lammermoor at La Scala, starring Rosa Feola, proves as airless as this summer’s heatwaves.
Antonio Pappano‘s versatility in both German and Italian repertoire and beyond is both rare and impressive.
Klaus Mäkela conducts Gerald Finley and Irene Roberts in a performance recorded at this summer’s Aix-en-Provence Festival.
Whether an opera by Puccini, Verdi, Wagner, Strauss, or Berg, Dimitri Mitropoulos brought to the podium a total understanding and love for each score he touched.
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