In my end is my beginning
Die Walküre heralds the end of an era for the Los Angeles Philharmonic — and the arrival of a new generation of Wagnerians.
On the party platform
Don’t expect any sweeping statements from Franz Welser-Möst ‘s polished, if dramatically inert, Fidelio.
I could escape this feeling with my China girl
Tired of Turandot? “The Dancing Goddess” at the China Institute Gallery gives us a glimpse at a real Peking Opera queen.
A favorite Verdi performance from Sanford Schimel
I’ve never been shy about my adoration of Anna Moffo.
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Iain Bell and Lydia Steier‘s Medusa stuns in Brussels.
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly Tullio Serafin.
Brigitte Fassbaender’s acid-laced production of La finta giardiniera leans into the absurdities of Mozart’s early dramma giocoso.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago’s credo (1979, Met).
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
One man’s Junker
One man’s Junker
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Don’t cry because it’s over
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag
Rizzin’ to the occasion
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Constance: A Confession, presented in Brooklyn by Experiments in Opera, satirizes our digital age with style.
Anna Pirozzi makes a welcome return to the Metropolitan Opera, but Turandot remains as thorny as ever.
Bring on the drama, mama!
Nadine Sierra‘s Gilda at the Metropolitan Opera had that rare quality of sounding both immaculate and spontaneous, as if Verdi’s lines were being discovered in the moment rather than executed.
Gabriela Lena Frank’s El Último Sueño de Frida y Diego enchants and surprises despite the Disnified treatment of its subject matter.
Verdi’s Stiffelio goes Amish in Vienna, featuring a stellar Luciano Ganci in the title role.
Talk of the Town
The Talk of the Town
A favorite Verdi performance from Sanford Schimel
A favorite Verdi performance from Sanford Schimel
I’ve never been shy about my adoration of Anna Moffo.
I’ve never been shy about my adoration of Anna Moffo.
The Talk of the Town
A favorite Verdi performance from John Danaher
A favorite Verdi performance from John Danaher
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly Tullio Serafin.
My favorite Verdi performance is the iconic 1960 RCA recording of Otello with Jon Vickers in the title role and the Rome Opera Orchestra and Chorus under the baton of the masterly Tullio Serafin.
The Talk of the Town
A favorite Verdi performance from Niel Rishoi
A favorite Verdi performance from Niel Rishoi
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
Tebaldi, at La scala, in one of her nights of glory, where the voice poured out effortlessly, singing with utter conviction, and no soprano ever appealed to God more fervently.
The Talk of the Town
A favorite Verdi performance from Brendan Latimer
A favorite Verdi performance from Brendan Latimer
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago’s credo (1979, Met).
My contribution this month honors the great Sherrill Milnes in his electrifying performance of Iago’s credo (1979, Met).
The Talk of the Town
A favorite Verdi performance from Krunoslav
A favorite Verdi performance from Krunoslav
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Much as I love the Abbado Deutsche Grammophon studio set, this 1980 San Francisco Opera live Simon Boccanegra under Lamberto Gardelli has an emotional punch.
Vanessa is spare and compelling in Heartbeat Opera’s production.
Tito Gobbi‘s performance of Rigoletto’s “Cortigiani, vil razza dannata” offers the most musically and dramatically complete portrait of Verdi’s tortured court jester that I have ever heard.
“Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who has withdrawn due to personal reasons.”
The American tenor, who made a triumphant mid-career comeback in 2022, has died.
Clémence de Grandval’s Mazeppa gets the superhero treatment in Dortmund.
Handel’s Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week’s Grand Tier Grab Bag.
I’ve looked to Sherrill Milnes many a time for insight and guidance whenever I’ve added a new Verdi role to my repertoire.
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