A little slice of death
Lincoln in the Bardo fills its inaugural Metropolitan Opera run with musical delights and vibes—but how far can those go?
Lincoln in the Bardo fills its inaugural Metropolitan Opera run with musical delights and vibes—but how far can those go?
Köln’s current Rigoletto, the debonair Korean baritone Insik Choi, is this week’s Grand Tier Grab Bag featured artist.
Elina Garanca has moved on from roles like Angelina in La Cenerentola, but this clip from 2001 shows why she became such a big star.
Cheers to Teresa Berganza, a Cenerentola for the ages.
I have chosen “Våren” (The Spring) which is one of my favorite Grieg songs and which is sung perfectly by Anne Sofie von Otter.
A husband-wife duo add star power to San Francisco Opera‘s stylish revival of Manon.
From the moment she started to sing until the end, all of us sat in complete silence letting this voice engulf us.
Melanie Spector pays tribute to the great soprano — and her mentor — Martina Arroyo.
Florence Quivar’s blend of triple cream voice and superior musical expression earned her a discography and videography to rival those of any of her contemporaries.
Sometimes, the first time you hear an oeuvre, it becomes the definitive performance for you.
Our critics assess Kansas’s own Ben Bliss in a (nearly) all-American program performed at the Park Avenue Armory and Vocal Arts DC.
An elegant rendition, and an artistically true one.
The world’s leading tenor garners a tepid response at Carnegie Hall‘s season opener featuring the Berliner Philharmoniker.
The open, skyward deliveries at the beginning and end of the aria as she addresses heaven! The mournful softness of her interceding “O mia Regina.”
The guttsiest, bitchiest, verismoist Amneris in my experience
Beth Taylor sings with her whole heart and soul and it is evident in the aria “Priva son d’ogni conforto” from Handel’s Giulio Cesare.
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