Bel canto snarl for bel canto snarl
Rising stars Chelsea Lehnea and Ricardo José Rivera are the protagonists of this week’s Grand Tier Grab Bag.
Rising stars Chelsea Lehnea and Ricardo José Rivera are the protagonists of this week’s Grand Tier Grab Bag.
Zémire et Azor, André-Ernest-Modest Grétry‘s riff on “Beauty and the Beast”, gets a rare outing in the Berkshires.
Malin Byström is a radiant water nymph in the Bayerische Staatsoper‘s house-of-horrors-set Rusalka.
Not really sure what was going on here.
Dmitri Tcherniakov‘s production of Der Freischütz in Munich may fire a few blanks, but the musicians are all on target.
Who doesn’t love a slightly murky archival recording?
The bonkers, bewildering Die ägyptische Helena begets a suitably lush musical and creative treatment at Bard SummerScape.
Just in time for this month’s theme of filth or dementia, a review of Terrence McNally‘s Master Class from Central City Opera.
Ma che brutta figura per la lirica!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Rising stars Chelsea Lehnea and Ricardo José Rivera are the protagonists of this week’s Grand Tier Grab Bag.
It’s a busy summer for Vida Miknevičiūtė and Eric Cutler, the subjects of this week’s Grand Tier Grab Bag.
Elina Garanča’s aborted first Ariadne may have been the headline item at the Salzburg Festival next month, but this week Parterre Box features the Zerbinetta, Ziyi Dai.
One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.
Ambur Braid‘s biggest dramatic soprano assignment yet — the Dyer’s Wife in Aix — is occasion for Parterre Box to feature her in some of her old repertoire.
Grand Tier Grab Bag features the American Zwischenfach mezzo Irene Roberts ahead of an eclectic season of Wagner.
The Bayerische Staatsoper’s summer festival wound down with Lotte de Beer’s darkly effective production of Gounod ’sFaust.
I sort of have a love/hate fascination with countertenors/male falsettists.
Karina Gauvin slays for the slayed. Werk Bitch.
Zubin Mehta was a major part of musical life when I moved to Southern California in 1969, having started his tenure as music director of the Los Angeles Philharmonic.
It’s a busy summer for Vida Miknevičiūtė and Eric Cutler, the subjects of this week’s Grand Tier Grab Bag.
Who doesn’t love a slightly murky archival recording?
I sort of have a love/hate fascination with countertenors/male falsettists.
Karina Gauvin slays for the slayed. Werk Bitch.
Zubin Mehta was a major part of musical life when I moved to Southern California in 1969, having started his tenure as music director of the Los Angeles Philharmonic.
Yuval Sharon‘s production of The Excursions of Mr. Brouček shoots for the moon — and lands somewhat limply on Lake Constance.
It is no wonder Bernard Herrmann relishes the wistful lyricism in Barber’s masterwork, as Herrmann’s score for Vertigo is among the most beautiful and haunting of all film scores ever composed.
Wolf Trap Opera presented a lovely Eugene Onegin with particularly noteworthy performances by Magdalena Kuźma and Daniel O’Hearn.
Lorenzo Molajoli is a mysterious figure.
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